Note: The most famous makers of violins, such as Stradivari, Guarneri, Maggini, Amati, da Salo, and Stainer, had many followers and imitators.
Often a disciple placed a facsimile label in a violin to acknowledge or honor the master whose model inspired his work. Also, commercially made instruments often bear facsimile labels to identify the model of the product.
More about Obtaining Authentication and Appraisal of Violins. Before he turned to making violins, he was making viols and rebecs. Instruments dated after are said to be the work of his sons Antonius and Hieronymus, and instruments known to be by Andrea are not numerous. It is claimed that he made 24 violins, 6 violas, and 8 cellos for Charles IX of France to be used at the court of Versailles, a few of which survive.
Their instruments show good workmanship and have agreeable tonal qualities but are not in the realm of "great. His instruments are much admired for their beautiful and penetrating, though not powerful, tone. Violins, violas, cellos, several three- string bass viols, and at least one pochette by his hand are known.
Both were trained as shamisen makers and began making violins based on instruments brought to Japan toward the end of the 19th century from Western sources, using Japanese pine and maple and sometimes sycamore. Inproceeding with a Westernization policy, the Japanese government had instituted teacher training programs for lessons in piano, organ, and violin.
Masakichi Suzuki established the Suzuki violin manufacturing firm in Nagoya inadding guitars and mandolins to the firm's production in The firm received an award at the Japan-British Exhibition in London inand Masakichi was further cited in by the Japanese government with a Medal of Honor for his accomplishments in the violin industry. At this time his company was producing thousands of violins each year. The fittings are of dark hardwood, with the fingerboard also stained black to give the appearance of ebony.
The spruce and maple are probably local Japanese woods, with interior linings and blocks of a light material similar to basswood. Skip to main content.
No re-opening date is available at this time. Check our website and social media for updates. Read a message from our director. Violins -- Violin Makers of the Amati Family. Specimen label: Andrea Amati Cremonensis fecit anno i. Amati Cremonen Andrea fil F. Universal Dictionary of Violin and Bow Makers. Jalovec, Karel.Violin maker c. Antonio Amati, son of the man credited with inventing the modern violin, worked in his father Andrea's shop for the twenty years preceding Andrea's death in In fact, most of the instruments bearing Andrea Amati's label from the late ss are probably the work of Antonio.
Near the end of Andrea's life, his younger Read More son Girolamo joined the workshop, and the two sons continued to collaborate after their father's death under a joint Brothers Amati label. The brothers parted, perhaps on unfriendly terms, inand after that Antonio's relationship to the Brothers Amati label is unclear.
An overwhelming majority of the Brothers Amati instruments made after are the exclusive work of Girolamo. The exact date and cause of Antonio's death are unknown, but he is believed to have died around Read Less. View all auction prices for Antonio Amati. Violin - Cremona. Tarisio Bookshop Browse. More related Carteggio features. Sign up to receive Carteggio features directly.Microstrip patch antenna input impedance calculator
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Antonio Amati Violin maker c. Instruments Filter by. Type Violin. Year Violin - Cremona View. Bernardo Calcagno, part 2. Bernardo Calcagno, part 1. March London highlights quiz. Welcome You already have a Tarisio account. Email address:. Keep me logged in Forgot Password.Note: The most famous makers of violins, such as Stradivari, Guarneri, Maggini, Amati, da Salo, and Stainer, had many followers and imitators. Often a disciple placed a facsimile label in a violin to acknowledge or honor the master whose model inspired his work.
Also, commercially made instruments often bear facsimile labels to identify the model of the product. More about Obtaining Authentication and Appraisal of Violins. Before he turned to making violins, he was making viols and rebecs.
Instruments dated after are said to be the work of his sons Antonius and Hieronymus, and instruments known to be by Andrea are not numerous. It is claimed that he made 24 violins, 6 violas, and 8 cellos for Charles IX of France to be used at the court of Versailles, a few of which survive. Their instruments show good workmanship and have agreeable tonal qualities but are not in the realm of "great. His instruments are much admired for their beautiful and penetrating, though not powerful, tone.
Violins, violas, cellos, several three- string bass viols, and at least one pochette by his hand are known. Violins Violin Makers of the Amati Family.
Specimen label: Andrea Amati Cremonensis fecit anno i. Amati Cremonen Andrea fil F.Amati Violin, "Mendelssohn", 1588
Universal Dictionary of Violin and Bow Makers. Jalovec, Karel.
Prague: Artia, Frankfurt am Main: Frankfurter Verlags-Anstalt, Dictionnaire universel des luthiers. Brussels: Les Amis de la musique, Woodcock, Cyril.Amati is one of the most well known luthier from the Casa Amati House of Amati.
He was one of 12 children of Girolamo. They were distantly related to the Florentine Medici family. Nicola probably apprenticed with his father and uncle.
By the s, Nicola was the dominant luthier in the Amati workshop. The —31 Italian plague affected northern and central Italy including Cremona. Inthe plague killed Amati's father, mother and two of his sisters. Amati married Lucrezia Pagliari d. His pupil, Andrea Guarneriwas present at the ceremony and signed the register.
Several of these children died at an early age. Amati died on 12 Aprilaged 87, in Cremona, Italy. Of all the Amati Family violins, those of Nicola are often considered most suitable for modern playing. As a young man his instruments closely followed the concepts of his father's, with a relatively small model and high arch rising nearly to a ridge in the centre of both the front and back of the instrument.
The Latin forms of the first names, Andreas, Antonius, Hieronymus, and Nicolaus, were generally used on the violin labels, and the family name was sometimes Latinized as Amatus. Beginning inhe gradually began to show signs of originality, which by were expressed in what is now known as the "Grand Amati Pattern". This Grand Pattern was slightly larger the backs being up to As a lone survivor of fine luthier after the Italian Plague of —31, the demand for musical instruments began to increase in the s thus creating problems for Amati.
Francesco Rugeri may have been a pupil of Nicola Amati, however, like Antonio Stradivari, census records also fail to mention his name in the census of the Amati household.
There are important discrepancies between their work. Some researchers believe early instruments by Stradivari bear a stronger resemblance to Francesco Rugeri's work than Amati's. This pin or hole was fundamental in the graduation of the thickness of the plates and was obviously a technique passed on through generations of pupils of the Amati.
Nicola ceased being actively involved in violin manufacturing by the end of Amati died on 12 Aprilaged Amati's instruments are very rare and most of them are on display in museums around the world. From Wikipedia, the free encyclopedia. CremonaItaly.
Lucrezia Pagliari m.J250f flash file
National Museum of American History. Archived from the original on The Strad. Retrieved 20 August London: Pan Macmillan. Roger Graham Hargrave — Violin Maker.Nobody knows how much was the most expensive violin ever sold as buyers usually insist on anonymity, but sales in the millions are not unusual. The first question to ask is whether you know who made it. The attribution is vital, as different makers achieve different prices, depending on the quality of their work. The next important factor is condition.
Forget whether the violin has its strings or not, the important thing to take into account is cracks. As many labels are false and many attributions dangerous, it is usually wise to have the instrument looked at by an expert. Sometimes it is possible to do this from a photograph; sometimes they will need to see it in person. Our specialists at Amati travel around the world looking at instruments and, if you look at our valuation day schedule, you will probably find we are near you soon.
Our market appraisals are free and without obligation. If you are thinking of selling, or just curious about the origins of your violin, viola, cello or bow, come along to an Amati Valuation Day. Find out more. The most efficient way of finding out what your instrument is worth is to send us a few photographs through the Amati online valuation service. We should get your valuation to you within three weeks.
How can I sell my violin now?
Is My Violin Made by Stradivarius? What happens at a Valuation Day? Why do we value instruments for free? How Much is My Violin Worth? How can you find out what your violin is worth? Come to a Valuation Day If you are thinking of selling, or just curious about the origins of your violin, viola, cello or bow, come along to an Amati Valuation Day.
Is my label fake? You can learn something about your violin from a fake label. Online Valuations The most efficient way of finding out what your instrument is worth is to send us a few photographs through the Amati online valuation service.
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Back to login. Already have an account? Login here. This sizing guide is intended to give you a good idea of what instrument size you or your student should look for. Please consider that this guide is based on our best estimates, but we always recommend that you consult with us, or your teacher before purchasing or renting.
At Fiddlershop we care a lot about how our instruments are set up for them to sound the best. Equally important to the instrument itself, is how your instruments fits you.
If you play on the wrong size violin, it might lead to pain, fatigue and injury. It also makes it harder to play. Thus, we have put together this guide for you.
Call us at or send us an email at support fiddlershop.Used equipment maine
An expert can answer your questions regarding the instruments and its accessories. Extend the arm fully, parallel to the floor. Measure from the neck to the middle of the palm.
Watch our demo video for more exact directions. See chart for approximate sizing. Watch our video for more exact directions. Sit at the end of the chair with your feet flat on the floor.
Lean the cello at a 45 degree angle against your body. The top of the cello body, should rest in the center of your chest. The C peg should be slightly behind your left ear.Their importance is considered equal to those of the BergonziGuarneriand Stradivari families.
Andrea Amati c. He standardized the basic form, shape, size, materials and method of construction. The first violin was ordered by Lorenzo de' Medici in His letter to Amati stated the instrument was to be "made of the highest quality materials like that of a lute, but simple to play". What became of this first violin is not known. A number of his instruments survived for some time, dating between Amati made the first Cello called "The King" in  [ clarification needed ] and Of these 38 instruments ordered, Amati created violins of two sizes, violas of two sizes and large-sized cellos.
They were in use until the French revolution of and only 14 of these instruments survived. His work is marked by selection of the finest materials, great elegance in execution, soft clear amber, soft translucent varnish, and an in depth use of acoustic and geometrical principles in design.
Andrea Amati was succeeded by his sons Antonio Amati c. He was the most eminent of the family. He improved the model adopted by the rest of the Amatis and produced instruments capable of yielding greater power of tone. Of his pupils, the most famous were Antonio Stradivari and Andrea Guarneri the first of the Guarneri family of violin makers.
There is much controversy regarding the apprenticeship of Antonio Stradivari. While the label on Stradivari's first known violin states that he was a pupil of Amati, the validity of his statement is questioned. He improved the arching of his father's instruments. From Wikipedia, the free encyclopedia. This article is about the Amati family of luthiers.
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